Photography Studio

I approach photography as an act of extraction rather than documentation. In commissioned portrait work, that extraction is applied with intention; posing becomes a negotiation, a method for drawing out what a subject already holds rather than imposing a likeness. The fine art practice extends this logic into less cooperative territory, turning the camera toward what it insists on finding when no one is arranging it. The unposed and the accidental become the primary material. Instability is treated as subject matter rather than obstacle. What interests me is what remains when presence is already in the process of disappearing.